At the end of "The Conformist," Marcello Clerici, who has been trying to conform to societal norms and suppress his past, confronts the consequences of his actions. After betraying his former mentor, the intellectual Giulia, and participating in the murder of his former friend, Marcello returns to Italy, where he feels trapped in a cycle of repression and guilt. The film closes with a sense of ambiguity as Marcello stands in a desolate landscape, symbolizing his lost identity and the moral cost of his conformity.

Yes, "Il Conformista" (The Conformist), directed by Bernardo Bertolucci and released in 1970, is widely regarded as a classic of world cinema. The film is noted for its stunning cinematography, intricate narrative, and exploration of themes such as conformity, fascism, and identity. It has received critical acclaim for its artistic style and has influenced many filmmakers. The film is often studied in film courses and is celebrated for its significant impact on the cinematic landscape.

In "The Conformist," Lino is a character who serves as the chauffeur and bodyguard to Marcello Clerici, the film's protagonist. Lino plays a significant role in the story as he represents loyalty and the darker aspects of the political climate in Italy during the Fascist regime. His interactions with Marcello highlight themes of conformity, betrayal, and moral ambiguity, which are central to the film's exploration of identity and political ideology. The film, directed by Bernardo Bertolucci, is based on the novel by Alberto Moravia.

"The Conformist," directed by Bernardo Bertolucci, is set primarily in the 1930s, during the rise of Fascism in Italy. The story follows Marcello Clerici, a man who seeks to conform to societal norms and political ideologies in order to escape his troubled past. The film explores themes of identity, repression, and moral ambiguity against the backdrop of this tumultuous period in Italian history.