In the movie "Underwater," the creature is an unknown, monstrous species that resides in the depths of the Mariana Trench. As a team of underwater researchers faces catastrophic damage to their underwater drilling facility, they encounter this mysterious and aggressive entity. The creature is depicted as a bioluminescent, multi-limbed being that attacks the crew, revealing its predatory nature. The film explores themes of survival and the dangers lurking in the unexplored depths of the ocean.

"Underwater," released in January 2020, struggled at the box office for several reasons. It faced stiff competition from other films and was released during a traditionally slow month for moviegoing. The marketing campaign was considered weak, failing to effectively convey the film's unique premise and generate excitement. Additionally, the lack of star power, coupled with mixed reviews from critics, contributed to its poor performance. Audiences were also less inclined to see a claustrophobic underwater horror film, especially amid rising interest in larger blockbuster franchises.

"Underwater" is a sci-fi horror film released in 2020, directed by William Eubank. It stars Kristen Stewart as part of a team of researchers trapped in a deep-sea facility after an earthquake. The film received mixed reviews; while some praised its tense atmosphere, visuals, and Stewart's performance, others criticized its familiar plot and character development. If you enjoy suspenseful underwater thrillers with elements of horror, it may be worth watching, but it may not appeal to everyone.

"Underwater," released in 2020, is a sci-fi horror film that follows a team of underwater researchers who must navigate a series of terrifying events after an earthquake devastates their underwater drilling station. While opinions on the "scariest movie ever made" vary, many consider "The Exorcist" (1973) to hold that title due to its intense psychological horror and cultural impact. Other contenders often mentioned include "Halloween" (1978) and "Psycho" (1960). Ultimately, fear is subjective, and different films resonate differently with audiences.