"Tie Me Up! Tie Me Down!" (original title: "¡Átame!") is rated NC-17 primarily due to its explicit sexual content and themes. Directed by Pedro Almodóvar, the film features graphic depictions of sexual acts, as well as the exploration of complex relationships and consent. The portrayal of bondage and the controversial nature of the protagonist's obsession contribute to its adult rating. These elements combine to create a narrative that is provocative and challenges conventional boundaries, which is why it received the NC-17 classification.

"Tie Me Up! Tie Me Down!" is a Spanish dark romantic comedy directed by Pedro Almodóvar. The film features a blend of humor and unsettling themes, focusing on a man who kidnaps an actress to make her fall in love with him. While it has comedic elements, the humor is often dark and satirical, reflecting Almodóvar's unique style. The film's mix of romance, absurdity, and social commentary means that its humor may not resonate with everyone, but it has been praised for its boldness and originality.

At the end of "Tie Me Up! Tie Me Down!" (original title "¡Átame!"), the film concludes with the main characters, the disturbed yet romantic ex-convict Ricky and the actress Marina, finding a tentative resolution to their tumultuous relationship. After a series of dramatic and comedic events, Marina ultimately decides to accept Ricky's love and their unconventional bond. The film closes on a somewhat ambiguous note, leaving their future open to interpretation, but suggesting a sense of connection and possibility between them.

"Tie Me Up! Tie Me Down!" is a 1990 film directed by Pedro Almodóvar that explores themes of love, obsession, and the dynamics of power in relationships. While it incorporates dark humor and elements of absurdity, it is not strictly a satire. Instead, the film blends romance and drama with a provocative narrative that challenges societal norms and perceptions of love and consent. Almodóvar's style often includes playful and subversive elements, but the film primarily focuses on the complexities of its characters rather than serving as a direct critique of society.