"The Searchers," directed by John Ford and released in 1956, is considered a great movie due to its complex themes, stunning cinematography, and strong performances, particularly by John Wayne. The film explores issues of racism, revenge, and the search for identity, showcasing the psychological depth of its characters. Its innovative use of landscape and framing influenced future filmmakers. Additionally, the film's narrative structure and moral ambiguity challenge traditional Western tropes, solidifying its status as a cinematic masterpiece and a profound commentary on American history.

At the end of "The Searchers," John Wayne's character, Ethan Edwards, grabs his arm as a sign of emotional conflict and inner turmoil. After finding his niece, Debbie, he realizes that she has become integrated into the Comanche culture and has even chosen to stay with them. This moment symbolizes Ethan's struggle between his desire for revenge and his protective instincts, reflecting his complex character and the themes of isolation, racism, and redemption throughout the film. The gesture encapsulates his inability to fully connect with those he loves.

"The Searchers," directed by John Ford and released in 1956, is not directly based on a true story but is inspired by the historical events of the American West. The film's plot centers around Ethan Edwards, played by John Wayne, who embarks on a quest to rescue his abducted niece from Comanche captors. While the character and specific events are fictional, the film reflects themes of racial tension and the complexities of frontier life during the 19th century, drawing on the real experiences of Native American conflicts and settler expansion.

No, John Wayne's son, Patrick Wayne, did not appear in the movie "The Searchers." The film, released in 1956 and directed by John Ford, stars John Wayne as Ethan Edwards. While Patrick Wayne did act in several films, including some with his father, he was not part of the cast in "The Searchers." The film features a notable ensemble including Jeffrey Hunter, Vera Miles, and Natalie Wood, but Patrick Wayne was not involved in this particular project.