"The Last Duel," directed by Ridley Scott, is based on the true story of the last legally sanctioned duel in France, which took place in 1386. The film recounts the events surrounding a dispute between knight Jean de Carrouges and squire Jacques Le Gris, triggered by accusations of rape made by Carrouges' wife, Marguerite. The story is told from three perspectives, highlighting themes of honor, betrayal, and the struggles of women in a patriarchal society. Ultimately, the duel serves as a quest for justice and truth.

"The Last Duel," directed by Ridley Scott, has received generally positive reviews for its strong performances, particularly from Matt Damon, Adam Driver, and Jodie Comer. The film is praised for its compelling storytelling, historical accuracy, and cinematography, as it explores themes of honor, betrayal, and the complexities of truth within a medieval context. However, some viewers found the pacing uneven. Overall, it stands out as a thought-provoking drama that examines gender and power dynamics, making it worth watching for fans of historical epics.

After the duel in "The Last Duel," Jean de Carrouges emerged victorious against Jacques Le Gris. Despite his victory, Carrouges faced personal loss, as his wife, Marguerite, had already suffered greatly due to the events leading up to the duel, including the trauma of the accusation and the societal repercussions. The film concludes with Carrouges gaining some recognition for his honor, but it also highlights the toll that the conflict took on him and Marguerite, emphasizing the tragic consequences of their situation.

In "The Last Duel," the story is presented from three perspectives, including that of Marguerite, the wife. Her account reveals that she was raped by Jacques Le Gris, and her testimony is central to the narrative. While Marguerite's truth is portrayed as consistent across the different viewpoints, the film explores themes of honor, truth, and the societal implications of her claims. Ultimately, the film emphasizes the importance of believing women's voices in matters of assault, suggesting that Marguerite is indeed telling the truth about her experience.