"The Boat That Rocked," also known as "Pirate Radio," is a fictional film inspired by the real-life pirate radio stations that operated off the coast of the UK in the 1960s. While the film captures the spirit of these stations, particularly Radio Caroline, it employs fictional characters and storylines. The portrayal of the cultural impact of these stations on music and youth culture is accurate, but specific events and characters are dramatized for entertainment. The film reflects the era's rebelliousness rather than providing a documentary account.

"The Boat That Rocked" is the original title of the film, while "Pirate Radio" is its title in some regions, particularly in the United States. Released in 2009 and directed by Richard Curtis, the movie follows a group of musicians and DJs operating a pirate radio station aboard a ship in the North Sea during the 1960s, challenging the restrictive broadcasting regulations of the time. The film features an ensemble cast, including Philip Seymour Hoffman and Bill Nighy, and celebrates the era's rock music culture.

"The Boat That Rocked," also known as "Pirate Radio," is a 2009 comedy-drama directed by Richard Curtis. The film is set in the 1960s and follows a group of DJs broadcasting rock music from a pirate radio station on a ship in the North Sea. The boat faces challenges from the British government, which seeks to shut it down due to its popularity and influence. Ultimately, the station is raided by authorities, leading to its closure. The film celebrates the spirit of rock music and the counterculture of the time, emphasizing the importance of freedom of expression.

Yes, "The Boat That Rocked," also known as "Pirate Radio," is inspired by true events. The film is set in the 1960s and follows a group of DJs who operate a pirate radio station from a ship in the North Sea, broadcasting rock music to the UK population. This was a time when the BBC had strict broadcasting regulations, and many people turned to illegal stations for more diverse music. The film captures the essence of the real-life offshore radio stations like Radio Caroline, which challenged the broadcasting norms of the era.