
Marjorie Prime, directed by Michael Almereyda, is a near‑future drama in which aging Marjorie interacts with a holographic likeness of her deceased husband, created to preserve memories. As her family debates the ethics and comforts of digital companionship, the film quietly probes how memory, identity, and love are reshaped by technology. With restrained performances and a contemplative mood, it asks what remains real when memories become programmable echoes.
Robot Ethics, Drama, Science Fiction, Psychological Drama