"Fear and Loathing in Las Vegas," directed by Terry Gilliam and based on Hunter S. Thompson's novel, explores the chaotic journey of journalist Raoul Duke and his attorney Dr. Gonzo as they navigate a drug-fueled trip to Las Vegas. The main point of the film is a critique of the American Dream, highlighting the disillusionment and excess of the 1970s counterculture. It examines themes of escapism, the absurdity of life, and the impact of drugs on perception and reality, ultimately portraying a sense of loss and confusion in the pursuit of happiness.

In "Fear and Loathing in Las Vegas," the characters Raoul Duke and Dr. Gonzo consume a wide variety of drugs throughout the film. Key substances include LSD, mescaline, marijuana, and ether, among others. The film, based on Hunter S. Thompson's novel, showcases their surreal and chaotic experiences as they navigate Las Vegas while under the influence. While it's challenging to quantify the exact number of drugs taken, the narrative emphasizes the pervasive use of psychedelics and hallucinogens as central to the story's exploration of the counterculture and the American Dream.

A famous line from "Fear and Loathing in Las Vegas" is, "We can't stop here. This is bat country." This line captures the surreal and chaotic nature of the film, which follows journalist Raoul Duke, played by Johnny Depp, and his attorney Dr. Gonzo, portrayed by Benicio del Toro, as they navigate a psychedelic journey through Las Vegas. The quote reflects the characters' sense of paranoia and the absurdity of their adventures while highlighting the film's themes of escapism and the counterculture of the 1970s.

"Fear and Loathing in Las Vegas," written by Hunter S. Thompson, is a novel that blends fact and fiction, portraying a psychedelic journey through 1970s America. It follows journalist Raoul Duke and his attorney, Dr. Gonzo, as they travel to Las Vegas for a motorcycle race while under the influence of various drugs. The story explores themes of the American Dream, counterculture, and the excesses of the time, presenting a surreal and often chaotic narrative that critiques societal norms and the disillusionment of the era.