"Cache" (also known as "Hidden"), directed by Michael Haneke, was disqualified from the Oscars because it was initially submitted for the Best Foreign Language Film category but did not meet the eligibility requirements set by the Academy. Specifically, it was released in France and had a limited run in the U.S., but the Academy's rules required that a film must have a qualifying theatrical run in the U.S. to be considered. As a result, it did not receive an Oscar nomination despite its critical acclaim.

"Caché (Hidden)" is a thought-provoking psychological thriller directed by Michael Haneke. The film explores themes of guilt, surveillance, and the impact of the past on the present, following a family that receives mysterious videotapes revealing their private lives. With its slow pace and minimalistic style, it invites deep reflection and interpretation. If you appreciate films that challenge viewers and provoke discussion, "Caché" is definitely worth watching. However, its ambiguous ending and unsettling themes may not appeal to everyone.

"Cache" (also known as "Hidden") is a psychological thriller directed by Michael Haneke. The film follows Georges Laurent, a respected television host, who begins receiving mysterious videotapes showing surveillance of his family home. As the tapes escalate in their invasiveness, Georges is forced to confront secrets from his past, particularly related to a childhood incident involving an Algerian boy. The film explores themes of guilt, surveillance, and the impact of colonial history, ultimately leading to a tense exploration of personal and societal accountability.

In "Caché" (2005), directed by Michael Haneke, the twist revolves around the protagonist, Georges, who receives mysterious videotapes showing his family's home and unsettling messages. As the story unfolds, it is revealed that these tapes are linked to Georges' past, specifically an incident involving a boy named Majid, whom Georges bullied as a child. The tension escalates, culminating in the realization that the surveillance is a manifestation of Georges' guilt and the unresolved trauma from his childhood actions, leading to a haunting reflection on memory and accountability.