"Being John Malkovich" is widely regarded as a unique and thought-provoking film. Directed by Spike Jonze and written by Charlie Kaufman, it explores themes of identity, consciousness, and the nature of reality through a surreal narrative where characters can enter the mind of actor John Malkovich. Its inventive premise, strong performances (especially by Malkovich, John Cusack, and Cameron Diaz), and blend of comedy and existential inquiry have earned it critical acclaim and a cult following. Overall, it's considered a standout in indie cinema.

Yes, "Being John Malkovich" has dark themes that explore identity, desire, and existentialism. The film, directed by Spike Jonze and written by Charlie Kaufman, delves into the absurdity of life and the human condition through a surreal premise where characters can enter the mind of actor John Malkovich. It combines comedy with a bleak examination of personal obsession and the nature of self, leading to unsettling moments that highlight the darker aspects of human nature and relationships.

The ending of "Being John Malkovich" is open to interpretation, reflecting themes of identity, desire, and the search for self. In the final scenes, both Craig and Lotte enter Malkovich's mind, leading to a surreal confrontation with the concept of existence and control. The film concludes with Malkovich trapped in a puppet-like existence, suggesting the loss of autonomy and the complexities of human consciousness. Ultimately, it raises questions about the nature of identity and the boundaries between self and others, leaving viewers to ponder the implications of their own desires.

The movie that took 100 years to make is "The 100-Year-Old Man Who Climbed Out the Window and Disappeared." Based on the novel by Jonas Jonasson, it follows a centenarian who escapes from a nursing home and embarks on an adventure, reflecting on his life. The concept of a project taking a century to develop is often more metaphorical, emphasizing the long journey of creative processes in the film industry rather than an actual production time.