"Adrift" is based on the true story of Tami Oldham and Richard Sharp, who set sail from Tahiti to San Diego in 1983. Their journey takes a dramatic turn when they encounter Hurricane Raymond, resulting in severe damage to their yacht, the Hazana. After the storm, Tami finds Richard injured and the boat in ruins, leaving her to navigate through the vast Pacific Ocean alone with limited supplies. The film portrays her struggle for survival and determination to reach safety, highlighting themes of resilience and love amidst adversity.

In the movie "Adrift," based on the true story of Tami Oldham and Richard Sharp, both characters face a harrowing ordeal after their sailboat is damaged by a hurricane. Tami survives the journey, enduring immense physical and emotional challenges. However, Richard does not survive; he succumbs to his injuries and the harsh conditions at sea. The film highlights Tami's struggle for survival and her resilience in the face of overwhelming odds.

In the context of the movie "Adrift," being "adrift" refers to a state of being lost or without direction, often both physically and emotionally. It symbolizes the characters' struggles to survive in harsh conditions while also grappling with personal challenges and uncertainties in their lives. The term highlights themes of vulnerability, resilience, and the search for purpose amid chaos. In a broader sense, being adrift can represent feelings of confusion or aimlessness in one's life journey.

"Adrift" is a survival drama based on a true story, starring Shailene Woodley and Sam Claflin. It chronicles the harrowing experience of a young couple who become stranded at sea after a hurricane. The film is praised for its stunning cinematography and strong performances, particularly Woodley's portrayal of resilience and determination. The emotional depth and tension may resonate with viewers who enjoy survival stories and romance. If you appreciate films that explore human endurance and relationships against overwhelming odds, "Adrift" is worth watching.